British stage director Nina Brazier describes how she moved to Germany, giving insight into starting out as a director in a new country and discussing the differences in the two working methods. She contrasts directing contemporary music theatre against classical pieces such as ''The Mariage of Figaro“, and shares with you her ideas on collaboration and structuring the rehearsal process. Finally, she discusses the challenges of working as a female director and what she wishes for the future of the music theatre world.

www.ninabrazier.co.uk

Oper Frankfurt https://oper-frankfurt.de/

Alex Mills http://www.alexmills.info/home

The Hermes Experiment http://www.thehermesexperiment.com/

Mit freundlicher Unterstützung der „neuen musikzeitung“, dem Kooperationspartner von „neue musik leben“. www.nmz.de

www.irenekurka.de

mail@irenekurka.de